The Novel at Twenty-Four Frames per Second: Adapting Proustian Time to the Cinema
I am researching the relationship between Marcel Prousts la recherche du temps perdu and cinema in light of how each produces images. The prose of Marcel Proust is often termed cinematic, yet it is executed in a medium that is vastly different from film. What is it then about the image at this point in its history that allows for a comparison between this major work of literature and the fundamental techniques of the cinema? To answer this question I am researching the underlying philosophy of Prousts imagery of time and memory alongside the philosophy of cinematic representation. In doing so I hope to draw out a more general trend in the production and perception of images, as well as the psychological insights they allow for.
Message to Sponsor
- Major: English
- Mentor: D.A. Miller, English